瑪麗為了回憶

主演：

ZouzouDidier Léon莫里斯·加瑞爾Thierry Garrel

導演：

菲利普·加瑞爾

類型：

電影 劇情

地區：

法國

年份：

1967

劇情：

Philippe Garrel的首部長片，當時他只有19歲，和父親Maurice Garrel及叔叔Thierry Garrel合作拍攝的16MM黑白實驗片，主演的是法國女星ZOUZOU（當時他還沒結識NICO吧？），後來此片成為「Zanzibar Film」的首部作品，Philippe從此成為法國新浪潮中的異類大師。 The group Zanzibar's figurehe… Philippe Garrel的首部長片，當時他只有19歲，和父親Maurice Garrel及叔叔Thierry Garrel合作拍攝的16MM黑白實驗片，主演的是法國女星ZOUZOU（當時他還沒結識NICO吧？），後來此片成為「Zanzibar Film」的首部作品，Philippe從此成為法國新浪潮中的異類大師。 The group Zanzibar's figurehead was Philippe Garrel. In April 1968, when Garrel was 20, his first feature, Marie Pour Memoire, won the top prize at the fourth annual festival of young cinema at Hyeres (it was subsequently registered under the Zanzibar name). In his acceptance speech, Garrel announced that he was fed up with cinema; what interested him now was prophecy. If his film was to have a value, he declared, it should be like a cobblestone hurled into the cinema. That vision became real on the barricades in the Latin Quarter as the evenements of May 1968 unfolded. Philippe Garrel was himself 20 in '68. He was already making poetic films, and had shot two shorts (LES ENFANTS D蒘ACCORD蒘, and DROIT DE VISITE), two feature films (ANEMONE, and MARIE POUR MEMOIRE) and a number of programmes for television, on rock music, girls, and the work of Jean-Luc Godard. Apparently Philippe Garrel filmed with colleagues during the May's events but the film was lost in the processing lab and will never be seen again. Jean-Luc Godard recalls some shots from them, saying "the only ones in which you saw the riot police full face, in dark, austere 35mm, at a time when everyone was using soft-focus 16mm." Garrel himself says he filmed "allegories, figures posing in front of the barricades like statues. I was trying to show that Paris was cut in two". 詳情